![]() ![]() In the question What are the best DAWs Reaper is ranked 1st while Harrison Mixbus is ranked 21st. It is very basic in the MIDI department and I don't use it when I'm working with MIDI (which is rarely in my case).Īlso, it is pretty CPU-intensive due to the console emulation, and you can't freeze/unfreeze tracks the way you can in Reaper.ĭo a Google search for Admiral Bumblebee's review of Mixbus and you'll get a good overview of what it can and can't do. When comparing Reaper vs Harrison Mixbus, the Slant community recommends Reaper for most people. ![]() From this point forward, the rest of the DAW world will have to compete with DAWs that now sound like real consoles, and I mean sounding like real consoles without having to use all of your analog modeled plug-ins. Comping is pretty primitive, but actually not bad once you get the hang of it. Harrison Mixbus is a very accessible DAW that gives you all the features you would need to mix your next single or full length album. The 32C EQ requires a larger monitor, to fit all the controls on-screen. In conclusion, the Harrison Mixbus 32C is by far the best sounding DAW I have ever heard. It has a lot of useful tools (e.g., polarity optimization) but is also missing a lot of things I use all the time in Reaper, like spectral editing. Sure the mixer and console emulation are nice, but for me they aren't actually its strongest selling point. Consequently, the software features Harrison EQs, compressors and limiters in each channel strip. A lot of people think of it as a tool only for doing your final mix and getting an "analog" sound, but its editing tools and workflow are brilliant and it's my favorite DAW for editing audio (I've used Reaper, Logic, Sonar, Studio One, and a few others over the years). The main idea behind Mixbus has always been to mimic the workflow of an analog Harrison console in software. I use Mixbus even more than Reaper these days. ![]()
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